However, he has a “dead zone” in his vision, during which time the future is still able to change. Smith can learn additional details of a person’s life - past, present, and future - through physical contact. The film stars Christopher Walken as schoolteacher Johnny Smith, who awakens from a coma to discover he has new psychic powers. In the singular deviation from the previous Psychological Thrillers list, David Cronenberg’s The Dead Zone will represent the creator’s entries from a decade that included some of his best work in this genre ( Dead Ringers being the other oft-cited choice). This quick turn of tones is aided by the film’s stellar soundtrack, which features traditional opera, some synth Brian Eno tunes, original pieces by frequent collaborator Claudio Simonetti, and even a metal jam by Swedish band Norden Light that serves as the background for each brutal murder.
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The mystery, eroticism, and copious amounts of blood characteristic of the Italian master of Giallo mixed with the inherently dramatic setting of the stunning Teatro Regio in Parma combine to create a film that oscillates between classically beautiful and wildly disturbing on a dime.
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#Sammy case vintage gay movies series
Her glorious debut is quickly followed by a series of gruesome murders in which the killer tapes a row of needles underneath Betty’s eyes to force her to watch. Its story centers around a young understudy named Betty ( Cristina Marsillach) as she steps up to take on the lead role in Verdi’s Macbeth. Of all the 80s Dario Argento joints, Opera is possibly the most Argento-y. If anything, this only proves the film has succeeded in capturing the fickle and subjective nature of identity on an impressively meta-level. To this day, Scott has been known to say in interviews that Deckard was, in fact, a replicant, while the film’s screenwriter, Hampton Fancher, vehemently disagrees.
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Blade Runner adds another psychologically-fueled aspect to the mix: an ongoing debate whether Harrison Ford’s professional android-hunter Rick Deckard is actually an android himself.īased on Philip K Dick’s 1968 novel Do Androids Dream of Electric Sheep, Ridley Scott's film explores ideas of identity, memory, mortality, and what makes humans… human while peppering in some exciting tension largely driven by Rutger Hauer’s incredible performance as an android hellbent on avoiding his impending, unavoidable demise. The film noir and psychological thriller genres tend to have a lot of overlap, largely due to the shared elements of unreliable narrators, heightened sense of danger, and descent into a mysterious foreign landscape. While it remains one of the most bizarre films ever made, it has also gained cult status as one of the most brutal and intense explorations of the disintegration of a marriage, as well as an interesting allegory for the Polish filmmaker’s final separation from his home country.
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Though the film has been classified as everything from body horror to science fiction to breakup film, it is nothing if not deeply rooted in emotional and mental anguish. Lingering in the background is a Cold War-era West Berlin, adding another layer of tension and intrigue to a story already steeped in interpersonal anxiety. The initial notes for this entry read: “batshit crazy film with Sam Neill about divorce and aliens.” That summation is a pretty accurate one, and if that’s not what most of us want out of a movie, I frankly don’t know what is.Īndrzej Żuławski's Possession tracks the relationship between an international spy named Mark (Sam Neill) and his wife, Anna ( Isabelle Adjani), the latter of whom begins acting increasingly strange after asking for a divorce.